“Thawing Entropy: The Work of David T. Hanson” In Waste Land: David T. Hanson (Taverner Press: Iowa, 2018), pp. 163-171. PDF

“Wild Games,” Beautiful World Where Are You? (Liverpool Biennial Art/Books: Latvia, 2018), pp. 93-95. PDF

“Distance Unknown,” In Ivana Franke: Retreat into Darkness. Towards a Phenomenology of the Unknown, ed. Heike Catherina Mertens and Katja Naie, (Schering Stiftung, Berlin: 2018), pp. 57-70. PDF

“Einstein  and Bergson  in  Three  Acts:  On  Physics  and  Philosophy”  11th Shanghai Biennale. Inaugural “Theory Opera” (12  November  2016, 12 February 2017, 11 March 2017) read by Raqs  Media Collective  (in  English), music by Yin Yi and  performed in Chinese (Huang Fangling & Chen Zhiliang, Bruce Bo Ding and Elsie Cheng, BABE Cheng). MP4

“The Viewer as a Scientist: A conversation with Jimena Canales, Sarah Demeuse and Christoph Keller,” In Paranomia, ed. Christoph Keller  (Spector Books, 2016), pp. 28-39. PDF

“Drones Like Us: Experiments in Decentered Subjectivity,” In Some Pigeons are More Equal Than Others, ed. by Julius von Bismarck, Julian Charrière, Eric Elingsen (Lars Müller: Zürich, 2016). PDF

“Recto Verso,” “Time Shape,” “Breath,” In Daniel Steegmann Mangrané. Animal That Doesn’t Exist (Bom Dia: Berlin, 2015), n.p. PDF

“Operational Art,” In Visibility Machines: Harun Farocki and Trevor Paglen (University of Maryland Press: January 2014), pp. 37-54. PDF

“Cleopatra’s Nose—and the Development of World History,”In Uncomfortable Objects, edited by Mariana Castillo Deball (Berlin: Bom Dia, 2012). PDF

“Never and Nowhere,” in Above and Below, ed. Sharon Harper (Radius Books, Santa Fe: 2012). PDF, (En EspañolAuf Deutch)

“Flash Force: A Visual History of Might, Right and Light,” In Seeing With Eyes Closed, ed. Elena Agudio and Ivana Franke (Fibo Druck und Design, Munich: 2011), pp. 34-41. PDF

“The Vision + Value Series,” Aperture 221 (November 2015), pp. 23-24. PDF

“Living Color: Jimena Canales on the Art of Eliot Porter,” ArtForum, vol. 54, no. 1 (Fall 2014): 334-341. PDF

“Harold E. ‘Doc’ Edgerton,” Aperture 211 (Summer 2013), pp. 72-73. PDF